Like most auteurs, director Ben Wheatley can’t be pigeonholed. Calling him a horror director is like saying Werner Herzog makes biopics. Same would go for science fiction, which classifies Wheatley about as easily as it does David Cronenberg. Cronenberg may be Wheatley’s best antecedent; a director talented beyond genre whose work touches genre and reinvents it sometimes (The Fly) yet never […]