The Subliminal Canon

I’ve suddenly come into so much unreleased music that there’s really only one thing that would delay me from getting some of it to you, good or bad: Seefeel. As mentioned the other day, Seefeel’s Quique is being reissued, and it was one of the best cds I got to review as a young numbskull […]

That’s Not All Folks

From the Department of Getting it Off my Chest: In last week’s Pitchfork panning of the Finches’ Human Like a House (which was the lead review until 8 am that morning, btw) reviewer Adam Moerder drops this preposterous thought:However, like mom and pop stores or VHS cassettes, the Finches have trouble competing with 21st century […]

Miles Standish Proud

Channel surfing through my general depression last night, I happened to catch REM’s induction (previously recorded) into the Rock and Roll Hall of Fame*. If you were still undecided about ignoring REM sans Bill Berry, here was your reason to cut the chord after BB’s aneurysm-inspired departure. With Berry again, they launch into “Begin the […]

Can Anyone Make An Album That Sounds Like Amelia Earhart’s Distress Signals Coming Across a Shortwave at Night in Wyoming? I Challenge You

Exclusive! The new Clientele single paraprases or at least nods to the Beatles’ “You Know My Name (Look Up the Number).” Pitchfork misses it, writing …Clientele more forward in every conceivable way: “You got my name/ Pick up my number/ Come on darling/ Let’s be lovers.” Maybe he’s in character, but lead singer and songwriter […]

Old Man’s Back Again

Ok: third try to post. I hate the new google version of blogger, so far. I came to Pere Ubu late, but earlier than anyone currently in their twenties, I suppose, since I stole my vinyl copy of The Tenement Year from my college radio station in ’89 or ’90. Hey, I figure we’re even […]

Bill Callahan Melloncamp

First, I’d like to note: yesterday Prawnfork posted “Just as the Day was Dawning,” a new track from duo Big Business’s Here Come the Waterworks. I’d like to proudly point out that almost a frikking year ago J Frank Parnell posted for download and raved about the original version of this track, which appeared on […]

Pitchfork and Payola

Not gonna accuse them, but I’m going to point out: Patchfork eagerly pushes an album in the forkast section, to the point of whipping up hysteria, and then pans it in their review section, or at least doesn’t give it the rave you’d expect. Hence: Panda Bear gets a 9.4, and while the forkast really […]